Rain in the UAE - either look at it through windows or go outside with your mac

We are in a time of change. The computer has not changed much over the years. Physically, it's been a keyboard, mouse and monitor system for a long time. Operating systems have generally just been updates of old ones with a couple of additional functions. Looking through the operating systems of old, it's interesting how recognisable they are to a modern day computer user.




Icons came pretty earlier on. Various windows for different tabs are used, whether they overlapped was up to the particular company. Microsoft slowly became dominant after Apple had started strong, and now the two stand at the top of the pile. Microsoft, now seen as the more boring company, had an arguably more radical start since Bill Gates and Paul Allen wanted to purely sell operating systems, not even computers, which was the foundation of Job's and Wozniak's enterprise.

As I watched videos of motion operated interfaces, music created through body movement, and ReacTj using blocks to create a DJ set, I wondered why I'm still sitting with a keyboard and screen on my lap - a disappointingly boring scene in comparison to those shown in the videos. However, it is one of great practicality and it is understandable why it has lasted so long. A box contains all the electrical gubbins needed for the computer to run, and then the keyboard is a wonderfully easy way to input data. It only requires minimal movement of fingers and the rest of the body can slump in a chair. We are a lazy society now... no one wants to have to move their arms around and jump up and down to type the word 'Hello'. For speed's sake the keyboard just works.

Yet, there is a movement towards movement! The Nintendo Wii did well until updates to Microsoft Xbox and Sony Playstation smashed it out of the market (it really should have had better graphics and not just relied on Mario!). Even then the XBox's Kinect has become popular. The difference between these and a computer is the element of time. "I'm going to check Facebook", "Let me just send this email quick". Although an inordinate amount of time is spent on one's Mac or PC, people can just be on it for five minutes at a time. In comparison, "I'm going to play FIFA or Lego Star Wars" is an activity for at least a minimum of half an hour with a significant, obvious return like a completed level or match. The longer input of motion with a game is taken into account as part of the longer total experience. This relates to music as well. It normally takes time to practice an instrument or get out decks to DJ. It is an activity that one dedicates too totally for that specific time. It's not like computers where you might be watching a movie, listening to music, sending an email AND be cooking all at once!

The biggest development that seems to be taking over is the tablet. I think this is more to do with portability than interface. Touch screens keep the quick input but will take time to takeover from the traditional keyboard as people's fingers get used to pressing up onto a display screen. The smaller display screen has become home to more obvious icons, though it is easier for traditional computer operating to move over to tablets, than tablet software to go back the other way... why Windows 8, why...

Computers used to look like this...

A riddle, wrapped in a mystery, inside an enigma

Code has always been about hiding a message. Whether a command of war or the information that forms a person's identity. Today we worry about people spying on us in our homes, looking through our internet history and hacking into our Facebook. In 1926, the worry was far more severe. Enigma had arrived. The threat of further wars after the First World War had become greater.


The unbreakable code had broken the resolve of the Allied cryptanalysts. Even with Hans-Thilo Schmidt, a disaffected German, providing information about the Enigma machine, the English and French cryptanalysts were unable to push towards a solution. Yet, the adversity of the Polish, as they were flanked by the powers of Russia and Germany, meant they could not stop trying to break the Enigma. Mathematicians were the new cryptanalysts of the time and Marian Rejewski, a timid Polish man in his early twenties, was to place the first pieces in the puzzle on the way to breaking the Enigma code. He found links and chains in the intercepted messages, which eventually led to finding the particular day key that the scrambler setting were set to. Rejewski spent only a year compiling his catalogue of chain lengths and with the few identifiable phrases, such as "arrive in Berlin", he had cracked the code!




In 1939, the Enigma code became invulnerable once more as the Germans used new scramblers and extra plugboards. Rejewski and the Polish cryptanalysts did not have the resources to cope. Hitler's blitzkrieg strategy was directly associated with the Enigma - "speed of attack through speed of communications."
But Rejewski's work had proven the Enigma was breakable and the British increased their efforts, again with a focus on combining the efforts of linguists with mathematicians and scientists. Bletchley Park was taking over from Room 40 as the home of code-breaking in the UK. It was there that Alan Turing, with the help of others, developed the bombe. The bombe was a electromechanical machine and with it the Allies could translate the Enigma code. Turing is now famous as the father of computer science as after the war he developed the Turing machine, considered the first model of a general purpose computer.

It is interesting to think that code-breaking ultimately comes down to the ingenuity of man and the battle of machines. Without Rejewski and Turing's brilliance, war and blitzkrieg could have been even more devastating. It was a case of Enigma vs bombe, the coding machine vs the solving machine. Nowadays the situation is not much different - people come up with coding techniques and encryption formulae, then machines carry out the process. The modern-day war is still filled with numbers, it just takes place on a digital platform.

Video killed the radio star and gave birth to the YouTube star

Video has the amazing ability to provide visual alongside a voice, to be a moving image that can be pure art and pure documentary, and to be a reflection of a person or culture.

Rosalind Krauss' wrote "Video: The Aesthetics of Narcissism" about the capability of video, unlike other visual arts, to record and transmit at the same time - instant feedback, with the immediacy of a mirror. Video as art is an interesting concept. The feedback to the viewer it can create an immersive experience for the viewer, different to any still image, whether a photograph or painting. With this in mind, video may be a medium used to contradict or challenge the very thing it is meant to be, art.

Of the pieces mentioned in Krauss' writing, I found the most interesting to be Peter Campus' "mem and dor". It cleverly uses the immediacy of video feedback to oppose the 'normal' experience of art, which is to stand directly in front of the piece to observe it. Furthermore, a gallery viewer may find that they in turn become part of the art for another viewer as their image is displayed on the monitor!


As I was reading, the mention of ego and artists displaying themselves in video got my mind thinking about the explosion of vlogging, video blogging, over the last few years.
YouTube has become a platform for people to upload videos of themselves talking about whatever they like. Traditionally not thought of art, looking at the structure, content and audiences of these vlogs does raise some intriguing points. Structurally, most of the videos I'm referring to depend solely on one person, centred, looking directly at the camera/viewer, and with a fast edit that matches the quick speed of speech. The fourth wall is broken in a similar way to Acconci's "Centers".
Content-wise, the videos are often commentaries on the world, particularly social and cultural observations, and generally more direct than any other 'art' piece, since the vlogger/character relays their views in speech; they often even refer to their audience directly! Audiences for these vlogs are normally made up of under-30s, and these audiences are BIG, e.g. Jenna Marbles has over 11 million subscribers and her most popular video has been viewed over 50 million times; Charlieissocoollike has over 2 million subscribers and his most viewed video has over 9 million views - all it is is him attempting an American accent!

Vlogs are mainly recorded as individual opinions and personal issues displayed in video... however, audiences seem to flock to them as they find they can relate, or criticise, or learn from them. Sometimes these videos actually define a whole social issue, in the same way that many artists try to - Jenna Marbles most video is entitled "How To Trick People Into Thinking You're Good Looking", which addresses all the stereotypes and pressures put on modern society to 'look good'.